✅ The tomb of Sheikh Ali-Naqi Estahbanati is one of the national heritage and identity of the country, which has been subjected to many deliberate encroachments and destructions. After ten years of destroying its enclosure walls, not only has no action been taken to conserve and restore it, rather, some have claimed that this building is a Qajar mosque, and also the Sheikh's tomb is in Esfahan.

✅ The study of the gates of the Achaemenid citadels with the new mythological approach and historical analysis method led to the discovery of concepts behind this body which refer to the cultural themes in this period which had been formed based on belief and mental patterns of the people of this period, that is, the myths.

✅ This paper tries to answer the questions of what is the content of the inscriptions on the door and what image does it give of the religious, cultural and historical situation of Kashan region at that time? Thus, while analyzing the content of all the inscriptions of the door, the patron of the mosque, ‘Abd al-Wahid, and the artist, Muhammad Naqqar Isfahani and some of his other works have been introduced.

✅ In this article, the main part of which is based on library and documentary research, the visual structure of some illustrations of Ferdowsi's two Shahnamehs, which are valuable literary and artistic manuscripts preserved in Saadabad Palace-Museum, is examined. The purpose of examining the illustrations of these two illustrated Shahnamehs is actually to examine and introduce these two rare and unknown versions and, on the other hand, to introduce treasures of the noble art of Iran.

✅ In the present study, three handicrafts of Imamzadeh Masoom, Abazar and Ghadmagah have been studied and re-evaluated on a case-by-case basis by the method of comparative studies and historical-interpretive analysis.

✅ The present study aimed to provide a conceptual framework of adaptability to the landscape approach in reusing the heritage of Abadan oil industry. This research is based on a mixed method in two phases, qualitative and quantitative. Qualitative data were collected through qualitative content analysis of written sources, case study and semi-structured interviews with 21 experts in the field of industrial heritage and landscape.

✅ Garshasp-nama is a poetic and agonistic story about the adventures of Garshasp ancestor of Rostam, which was written by Asadi Tusi, a poet of the 5th century. There are 39 complete and incomplete copies of Garshasp-nama, few of which are illustrated. The purpose of this essay is to introduce the British Museum version with the number or.12985 and the date of writing 981 AH/1573 AD and explore the visual structure and formal characteristics of its paintings to gain more knowledge of historical and abandoned Iranian documents and knowledge of the visual culture of the past.

✅ The Tomb of SheikhKhalifeh Khafr has a very important Status due to the existence of archirecture and various decoration such as carving, Wall paintings, stucco Decoration, Tile Decoration especially its tiled mihrab.Therefore, the leading research introduces Architectural ornaments of the tomb with emphasis on its unique tile mihrab,preserved in the Pars Museum in Shiraz. Therefore,one of the purposes of this article is to identify the types of decorations in The Tomb of SheikhKhalifeh Khafr.

✅ Achaemenid rhytons as one of the most important archaeological data adorn many museums around the world. However, many of these rhytons have not been obtained from scientific archaeological excavations, so their study is of particular importance in terms of originality. In this regard, laboratory studies to determine the certainty are still in their infancy, and on the other hand, forgery methods have become more advanced with the development of technology; Therefore, technology and comparative studies are still one of the most important and appropriate ways to identify the authenticity of historical monuments, including Achaemenid rhytons.

✅ The main aim of present study is to recognize the design principles and criteria of landscape sustainability in the garden city of Isfahan in the Safavid period as a valuable and well-known example of the historical garden cities of Iran to be able to use these criteria in sustainable landscape design in today's cities. The research method is qualitative with a descriptive-analytical approach based on library documents and resources that formulates the principles and strategies of landscape sustainability and derives these principles and criteria from the garden city of Isfahan with the comparative and analytical methods.